My POV

Hay Bale, Graphite Sketch...My husband and I have a ritual; it helps us decompress after our busy days, and is a routine time to relax and enjoy being together. Each night once the kids are tucked in bed, we sit on the couch, each with a glass of milk and two freshly baked chocolate chip cookies, to watch one of our recorded shows. Last night we watched the Next Food Network Star. Each Star hopeful must have a "POV," a "Point of View" that would make their own Food Network show unique. Two weeks of my daily drawings are now complete, and over morning coffee, I reflected upon my "POV"...my own point of view around which my art revolves. I know art doesn't have to have a "point" or a "meaning," that it can be art for art's sake, but my organized self loves to have everything in its place, categorized and grouped. I want my art to fit together and have a meaning, a purpose, a POV. When I reflect upon my daily drawings, I see the common thread of my own human experience: family, relationships, love, warmth, what surrounds me in my place, what is important to me in my life. Linking the theme of my sketches with my current pastels and paintings, my POV emerges as, in my husband's words, "Southern eclectic": a mixture of rural and city, objects and figures, past and present...the story of my place. I find warmth, family, richness and beauty in the South, in its porches and fields, its trees and marshes, its people and history, its rust and wood. A representation of the story of humanity, the South is a tightly woven tapestry of good and bad, hospitality and hatred, comfort and pain, smiles and sorrow. Despite its dark threads, my South triumphs with beauty, with color, with life, with strength; in my place and through my art, I hope to reveal and foster greater peace, honest love, and a warm, genuine reality of Southern hospitality, a welcoming with open arms.

Family Farmhouse

After a slow few months of art production due to the lovely symptoms of pregnancy, I'm finally back at my desk! With a baby girl kicking at my belly whenever I squash her against my art table, I have recently completed this family farmhouse, bringing together about twenty photos to include many family memories of a very kind lady.

In order to incorporate so many features, I approached the piece with a leaning towards folk art rather than perfect realism and proportion. I used the same set of colors throughout the painting to keep the images together as a whole. My sweet client and I are both happy with the finished piece, and I am looking forward to beginning my next painting!

Family Farmhouse, 18x24 soft pastel on board

New Minis!

In preparation to list on Etsy, I've been making some new mini pictures! Here are a few of the 3x3 pastels which consist mostly of "the birds and the bees," with the occasional snail or other tiny creature thrown in here and there!

These pieces range in price from $35-$45 depending upon the frame. The pastels are drawn on Sennelier La Carte Pastel Paper and sprayed with a fixative for durability. All birds are native to Alabama, and any bird can be drawn on commission at the same price. These make great gifts!

Pair of Horses

Pair of Horses
16x20 soft pastel on Pastelbord, $350 framed

My newest piece...

I've been wanting to draw horses lately. Drawing a horse's body, with it's distinct muscles, long legs and neck, is very different from drawing a cow or a sheep, with their stocky, thick bodies. The light glows off of the horses sleek curves; the gracefulness of the animal invites me to pause and reminisce, to think of the wonder in our world, the beauty in the family of things, of which we are a part. I think of the freedom of childhood, the rush of life. Through the beauty and being of a horse, I feel an echo of emotions, a connection to something unspoken.

Wedding Chapel

10x10 Soft Pastel on La Carte Pastel Card

Down some beautiful winding country roads outside of Columbus Georgia, and down a narrow road through a canopy of trees, we came to a sunlit clearing wide with spring green grass, surrounded by a just distant circle of thick trees and a vivid blue sky. Perched atop the grassy hill shone a gleaming white old chapel, relocated to the spot by the landowner. This dreamlike, private location was the setting of a perfect small wedding a few months ago...simple, elegant and gloriously bright. An artist's dream come true!

Southern Cottonfield

9x12 Soft Pastel on Pastelbord, Commissioned

For this piece, I combined several elements from previous pictures to suit my clients wishes...the swirling turquoise sky, the rust colored trees, the gray barn, and a Southern field full of cotton.

Farmhouse Wedding

Marion Farmhouse, 9x12 Soft Pastel on Pastelbord

Warm Spring days and June approaching... cue weddings, weddings and more weddings! This Spring, my daughter was flower girl twice, and we attended 3 weddings in a month! My cousin was married in April on a beautiful family farm in Perry County (Marion, Alabama to be precise) on the steps of the old farmhouse.

What better way to commemorate the day and make a unique gift than a portrait of the wedding location! If you are searching for the perfect wedding (or anniversary!) gift for your friends, your family, your spouse, or yourself, send me the photo of your wedding location and I will turn it into a lasting piece of art!

Visit www.MaryLizIngramArt.com for pricing and more information.

Some new barns...

Rust, 8x10 soft pastel on card

In preparation for upcoming art shows, I am adding to my "Southern Exposure" pastel series with some new pictures from the rural south. Even though I live in "the city," rural Alabama is very much a part of my life, from road trips and extended family, to our produce bought through the Eastlake Farmer's Market and our dairy picked up from Wright Dairy in Alexandria. I love the beauty of our rural landscape, the thick trees, the rolling fields, the lazy cows, and the old barns in so many conditions, shapes and colors.

Wood, 4x6 soft pastel on card

Gray Barn

Gray Barn, 8x10 Soft Pastel on Card

I was drawn to this scene by the curved, rutted tracks in front of the tall gray barn. I loved the colors in the grass and dirt, and put in some simply drawn cows to keep the piece company.

Hay Fields

Hay Fields, 12x16 Soft Pastel on Board

I love pastels, and I love teaching. Because of the nature of this dusty medium, it is hard to demonstrate to a large crowd since I cannot easily draw the picture upright, as on an easel, as the pastel dust cascades down the board with each stroke. To remedy this problem, in a recent pastel demonstration for the Birmingham Art Association, I inclined the board a bit to make it more visible and drew upside down, standing behind the table. My unorthodox method worked and here is the finished result: a colorful landscape that began upside down and was touched up a bit at home. I like the bright colors and think it is a pleasant, simple little scene.

Au Naturel

Au Naturel, 5x7 Pastel on Board

My favorite first sign of Spring is when the Daffodils appear; we have some that pop up around a tree in the front yard. I especially love the simple, small yellow version...the kind without the frills and elaborate coloring. Just a little yellow flower, with its six delicate petals, its fragile trumpet, and its softly colored green stem. Simple, basic, au naturel.

In this small piece, I tried to work quickly, getting down the basic shapes and colors without overworking, to capture the warm simplicity of the image...two little flowers in an old honey jar. I used a board painted with pastel ground in varying textures.

Energen Art Competition

These two pastel pieces, "Change of Shoes" 16x20 and "Passing Time" 18x24, have been accepted into the Energen Art Competition...March 14-27 at the Energen Plaza in Birmingham, AL. I am happy to be a part of this prestigious show and looking forward to seeing all the wonderful art!

Passing Time

Passing Time, 18x24 Soft Pastel

When creating this piece, I wanted to convey a sense of stillness, waiting, and patience; the slowness of time. I chose colors of Fall turning to Winter, a time of rest, dormancy, waiting for renewal. The decay of the barn, the stillness of the cow, a calm golden day...all bringing to mind the slow and lazy passing of time.

Still experimenting with color, and the way unexpected hues can work together to create a more vibrant piece, I splashed in lots of blues, greens and reds in the hay to bring it to life...no drab browns here! The cow came together swiftly, layering the colors carefully...a feat in itself because I had a sick 3 year old boy in my lap and a dancing girl next to my chair! Moments like that make me smile, grateful that I can be an active mother and an active artist at the same time. The passing of time often seems slow, but when it comes to children, it sure seems to move quickly! This picture reminds me to take a breath, and enjoy the moments as they come, slowing down and taking it all in.

Train Whistle

Train Whistle, 14x18 Soft Pastel

I snapped a quick photo out the window of the car as my family and I were traveling through rural Alabama toward New Orleans. It wasn't really a great shot; pretty boring as a photo. But through the vibrant softness of pastels, I could enhance the moment to show beauty in an average sight...train cars moving steadily beside the interstate, through the thick green trees of my home state, under a sky that evokes wonder and a bit of mystery. Swirling clouds, light and dark; a mixture of moods.

My home is situated near enough to hear train whistles in quiet moments. The sound permeates those moments when I am drifting off to sleep or reading quietly in my room. I hear it as I walk to my car on early winter mornings, its sound crisp and steady. The almost mournful tone speaks to me in almost-understood ways; it lingers and causes me to pause, to catch my breath and soak in the moment in which I find myself. I have heard it in some of my darkest moments...it draws out my sadness as a breath draws air, traveling languidly through the night. I hear it on hopeful mornings and I pause to see the beauty in my life, and the places I am going. It reminds me of journeys taken and journeys that lie ahead. It is a treasured sound I can recall from childhood; a sound that touches my soul.

A New Contrast

These pictures began to take shape on the way home from a family vacation to the Gulf Coast, when my sister sent me a photo via her phone, taken in transit, of hay in a field. I found great interest in the quality of the picture, with dark edges, blurred grass full of movement, a quick and simple snapshot of a familiar rural Alabama scene.

When I began creating the pieces, drawn outside in the newly-cool Fall air, I once again unconsciously intermingled my current state of being into the art. The brightened, more vibrant colors mixed with the darkening edges mirror my mood this week; happy, hopeful and full of rich life, with a bit of darkness lingering in the edges. The intermingling of Joy and Woe revisit my thoughts. I see a great contrast in life...the good and bad, the happy and sad, the rage and peace, the love and hatred, the energy and fatigue.

This new moment in my artistic journey of greater contrast, heavier color and darkened edges was a surprise to me...an unplanned development. The brightness darkening feels a bit ominous, like something is about to happen; like when you walk outside and know a storm is coming, when you can feel the pressure in the air. A heavy moment of stillness, a pause before the event begins.