Back in the Game

"Tree of Life," Ink sketch All wrapped up close together in our little house, we've added a fifth person to our family. My sweet baby is just now old enough for me to steal some time away, to turn my thoughts, for at least a few moments, inward to the world of art. When I look inside and peruse my creative thoughts, I see a very different world. With so much time passed between my last stream of art and today, my life has changed. The birth of a child, the growth of a life, the changing tides of my life to a brighter, stronger place...what images stir within me, waiting to be formed with pen, pastel, paint and paper? It's time for a renewal, to reinvent once again. I find an eager peace in the cycle of my art, that over the past few years I have come to recognize-high times and low times, ever-changing, twisting and turning to the creation of something new. I'm starting slow, with my small bits of time. Searching for what lies within, to see what will surprise me when I use my hands and let my broken, unplanned thoughts take shape. Thanks to a friend and art colleague's recent art, Sunny Carvalho's morning drawings, I'm beginning my renewed journey with "Morning Sketches." Each morning for two weeks I plan to draw whatever comes to the forefront of my mind-no concrete plans, no restrictions-just to see where it leads me. And if this endeavor does not lead me to a new starting place, it still leads me to further exploration of this new, complex and wonderful phase of my life.

Family Farmhouse

After a slow few months of art production due to the lovely symptoms of pregnancy, I'm finally back at my desk! With a baby girl kicking at my belly whenever I squash her against my art table, I have recently completed this family farmhouse, bringing together about twenty photos to include many family memories of a very kind lady.

In order to incorporate so many features, I approached the piece with a leaning towards folk art rather than perfect realism and proportion. I used the same set of colors throughout the painting to keep the images together as a whole. My sweet client and I are both happy with the finished piece, and I am looking forward to beginning my next painting!

Family Farmhouse, 18x24 soft pastel on board

Upcoming Shows!

Come out to Park Lane in English Village, Mountain Brook from 4:00-8:00 this Thursday December 1st for the annual Mountain Brook Art Association's Holiday Show! This is a fun event with delicious food and drinks catered by Kathy G. Come browse great art and buy some unique holiday gifts! I hope to see you there!

For the month of December, I will have over 20 pieces on display and for sale at Brookwood Medical Center. Look for my art in the main lobby and the doctor's lounge!

Roman Columns

Roman Columns, 18x24 Soft Pastel on Board

Here is the fourth installment in the Italian series done by commission for a private collection here in the Birmingham area. My husband and I took a photo of these dramatic columns in the Roman Forum years ago, and I have always thought they would make a beautiful pastel!

View from Fiesole

View from Fiesole, 24x36 commissioned pastel

This is the newest addition to one of my most gracious client's collection of pastels. "View from Fiesole" will hang with the "Trevi Fountain" and the "Spanish Steps." And there is one more pastel of Italy to come, so stay tuned!

The Trevi Fountain, 24x36 Soft Pastel

The Spanish Steps, 30x30 Soft Pastel

The Coast of Maine

The Coast of Maine, 16x20 Commissioned Pastel

I love the challenge of drawing the ocean, and especially the ocean spray as the waves crash upon the dark rocks. This piece is similar to my earlier pastels of the Scottish coast, with the wonderful contrast of darks and lights. I love using the many blues, greens, and whites intermixed with the unexpected hints of burgundy and ochre hidden in the water. The rocky coast in this particular piece was very interesting, with its striated texture glistening in the sun.

"Paper from the Past"

At an art show last spring I met a fellow pastel artist and, after some discussions about techniques, we did a paper swap. I gave him a piece of Sennelier La Carte pastel card, and he generously gave me a large sample of a pastel cloth. I like to call this one "paper from the past," because a) he bought it a very long time ago and can't remember the brand, b) after research, it is very hard to find information about pastel cloth, and c) it doesn't seem to be made much anymore, if at all.

I discovered two possible sources for pastel cloth, which comes in a roll and is a synthetic, unwoven fabric, with a coating similar to sanded papers, that will hold layers of pastel. NY Central Art Supply and Sennelier both make/have made a pastel cloth.

The cloth can be cut to the desired size, but needs to be mounted or secured in some way to keep it from curling. It can also be stretched like a canvas. Since I was experimenting, I just taped all four sides down with masking tape.

I cut several pieces and taped them down to a board and decided to try a few things. First I layered some pastels, browns, oranges and ochres, and painted with a brush and water. Then I added details of a lily in my yard. The result pleased me well enough: the paper held the layers well, the water did not affect the paper adversely, all brands of pastels that I tried worked fine (Sennelier, Rembrandt, Gallery, Derwent pastel pencils). 

5x7 Soft Pastel on Pastel Cloth

For the second "test" I tried a simple picture with my usual techniques. Again, the results were satisfactory, but I felt that the texture wasn't as deep as I usually get by layering on Ampersand Pastelbord or Sennelier La Carte pastel card; the colors blended just a bit more.  

While I enjoyed trying and learning about a different surface, the benefits of pastel cloth, mainly the texture, are overshadowed, in my opinion, by the downside of it being a cloth. My "verdict" is biased because of my preference for a hard board or card on which to work, and it seems like an unnecessary step to mount the pastel cloth on a hard surface when I could just buy another surface with a similar texture that is already sturdy.

With pastel cloth being hard to find, and made somewhat irrelevant by the numerous types of sanded papers that can also be used with wet or dry mediums (such as Wallis Paper), it may be more convenient and less frustrating to try another surface.

But to those who already have pastel cloth, or like the ability to stretch or mount it onto the size and surface you want, you can create some beautiful pieces of art!

Check out the art by my friend Daniel Curry, who has done several pieces on pastel cloth and so kindly shared some with me!

View his work at www.dcurrycreations.com

New Minis!

In preparation to list on Etsy, I've been making some new mini pictures! Here are a few of the 3x3 pastels which consist mostly of "the birds and the bees," with the occasional snail or other tiny creature thrown in here and there!

These pieces range in price from $35-$45 depending upon the frame. The pastels are drawn on Sennelier La Carte Pastel Paper and sprayed with a fixative for durability. All birds are native to Alabama, and any bird can be drawn on commission at the same price. These make great gifts!

SpectraFix Pastel Fixative

I have recently begun using a new pastel fixative introduced to me by one of my very talented art students Jenny Thornton. SpectraFix Is "a natural milk casein pastel fixative" that is non-toxic with no odor, and you can even spray it inside! It is pretty much alcohol and milk protein...it comes from cows! See?

The SpectraFix website describes the ingredients:

"SpectraFix blends art-grade milk casein with water and pure grain alcohol adding a tiny amount of isopropyl alcohol (to please the Federal Government rendering the grain alcohol undrinkable). The alcohol evaporates rapidly taking the water with it, leaving a thin film of casein which quickly dries to a protective matte surface. Even though it is milk protein, it is not subject to invasion by opportunistic organisms, as 9000 years of use as an art medium testifies."
http://www.spectrafix.com/about.html

The spray dries without darkening the colors (but don't douse it...I sprayed it lightly a couple of times about a foot above the picture, letting it dry in between coats.) I sprayed it heavily on a piece to test it, and was surprised at the little color change...while the alcohol evaporated the colors lightened almost to the original hues. I do employ heavy spraying on images that I want to deepen the rich colors and contrast, but do not recommend heavy spraying for pieces with a lot of delicate or light colors, or on something where no color change is desired, such as a portrait.

I was initially wary over the pump application, fearing that it would splatter or spray inconsistently, but when applied with a fine mist and allowed to dry between coats, I haven't experienced any trouble.  As with any fixative application, you may occasionally have a small spot appear that doesn't completely dry; this is easily fixed by adding the appropriate pastel to the spot.

The thing I find most fascinating about this spray is the history of it's ingredients. Casein has been used by artists throughout history, including my favorite artist, the French Impressionist painter and pastelist Edgar Degas. 

"Casein is simply dried milk protein and has been used for over 9000 years as a binder for pigments. Cave paintings in Asia and ancient Egytpian tomb paintings are the greatest testament to its archivability, with colors still firmly adhering to their supports with brilliant clarity of hue after literally thousands of years! No other painting medium has such an ancient and demonstrable history of stability and permanence. 

Casein has been widely used by artists since that time including medieval illuminated manuscripts, Gustav Klimt’s ‘Beethoven Frieze’, Edvard Munch’s ‘The Scream’, Ben Shahn, Thomas Hart Benton and many more. Since the introduction of acrylics, casein has fallen by the wayside, but it was the original foundation for the development of acrylics. It was an early type of plastic (when combined with formaldehyde) and was used for decades to make buttons, handles, trays and all manner of colorful items.

There is also great evidence that Degas used different formulations of casein as a medium and as a fixative, including liquid solutions into which he would dip his pastel stick. He was a close friend of the artist Luigi Chialiva who patented a pastel fixative using casein and alcohol back in the 1890s, and one can hardly doubt that Degas would have been instrumental in its development and popularization."
http://www.spectrafix.com/history.html

If you give SpectraFix a try, I'd love to hear your thoughts!

Mini Portraits

Portraits don't always have to be large! This trio of portraits were done in pastel on 4x4 inch peices of Sennelier La Carte Pastel paper. It's a different sort of challenge, working small with chunky pieces of pastel, but it is a challenge I enjoy!

Pair of Horses

Pair of Horses
16x20 soft pastel on Pastelbord, $350 framed

My newest piece...

I've been wanting to draw horses lately. Drawing a horse's body, with it's distinct muscles, long legs and neck, is very different from drawing a cow or a sheep, with their stocky, thick bodies. The light glows off of the horses sleek curves; the gracefulness of the animal invites me to pause and reminisce, to think of the wonder in our world, the beauty in the family of things, of which we are a part. I think of the freedom of childhood, the rush of life. Through the beauty and being of a horse, I feel an echo of emotions, a connection to something unspoken.

Eclectic Art Escape

This Saturday July 30 from 4:30-8:00 the Eclectic Art Social Club will hold it's first art show, exhibiting a variety of unique art for sale by 7 Birmingham area artists! The show will be at Escape Day Spa in Crestline Village in Mountain Brook and will feature:

acrylic abstracts by Cecily Hill Lowe

oil paintings on metal by Erin Hardin

collage and jewelry by Dariana Dervis

unique mixed media paintings and other creative pieces by Sunny Carvalho

ceramics and paintings by Chi Roach,

jewelry by Marjorie Gilkey,

and pastel paintings by me, Mary Liz Ingram

There will definitely be art for every taste! We will have refreshments, door prizes, and spa giveaways! Spread the word and bring your friends!

Wedding Chapel

10x10 Soft Pastel on La Carte Pastel Card

Down some beautiful winding country roads outside of Columbus Georgia, and down a narrow road through a canopy of trees, we came to a sunlit clearing wide with spring green grass, surrounded by a just distant circle of thick trees and a vivid blue sky. Perched atop the grassy hill shone a gleaming white old chapel, relocated to the spot by the landowner. This dreamlike, private location was the setting of a perfect small wedding a few months ago...simple, elegant and gloriously bright. An artist's dream come true!

Escape Day Spa

Artists are always looking for new ways to share their art, and to merge the message of their art with the right location. Recently, I have taken some of my art to Escape Day Spa, a peaceful new spa located in a quiet house-turned-buisiness just off the main street in Crestline Village, Mountain Brook, Alabama. I like to convey a sense of peace and stillness in many of my pieces, so such a relaxing location seems a perfect fit. Below are a few of the paintings currently displayed (and for sale!) at the spa.

Waterlilies, 4x4 and 5x7 Soft Pastels

Joy, 8x10 Soft Pastel

Ocean Cliffs, 14x18 Soft Pastel

The Empty Tub, 18x24 Soft Pastel

Southern Cottonfield

9x12 Soft Pastel on Pastelbord, Commissioned

For this piece, I combined several elements from previous pictures to suit my clients wishes...the swirling turquoise sky, the rust colored trees, the gray barn, and a Southern field full of cotton.