Celebrate

Celebrate, Ink Sketch...Today is my tenth wedding anniversary, so for my daily sketch I was drawn to a big bowl of corks sitting in our kitchen, reminders of celebrations past. Some corks are from New Year's, some from anniversaries, some from dinners with friends. A few are from those nights when the day had been hard, when money was tight, or stresses were high; when my husband and I would thumb our nose at hard times and celebrate life with some cheap champagne. We have much to celebrate, in good times and in bad. Dave Matthews' "Two Step" plays in my mind, "Celebrate we will, Because life is short but sweet for certain..."

Good Things

Good Things, Ink Sketch...Sitting at the desk in our room is a collection of "good things": old books from my grandparents' house, a brass key from Romania, a piece of pottery made by my husband filled with Iona marble from Scotland, a Byzantine coin framed in a brass ring...an assortment of curious objects, a unique collection, simple objects that make me happy. I love collections. My family and I aspire to live more simply, with a small home consistently purged of excess. Still having too much, we try to keep taking steps in the direction of less. I find the words of William Morris drift to mind, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful." This sketch shows a small collection of things I believe to be beautiful; beautiful for the meanings they hold in my mind, for their age, for their history, for the memories. (The perfectionist in me is having a hard time with these sketches. I'm drawing with only a pen, so the pictures show every mark I make, whether I like them or not! )

Pizza Break

Pizza Break, Ink Sketch...Here are a few things about me: I try hard to eat healthy food and to feed my children well-balanced meals. I buy organic products when I can. In a small effort to "save the planet," I always use "real plates" to eat on, and we use fabric napkins. I have three kids and a pretty demanding job, along with being an artist. I try to keep my house tidy, my family happy, and all my neat little ducks in a row. I try to go an extra step, do a little more...but sometimes, you have to know when to give yourself a break. To order a pizza with no vegetables and eat on paper plates. Today was that sort of day; tonight, that sort of night. I woke up this morning with just enough time to get ready and out the door with my three side-kicks in tow...no time for a morning sketch. Part of this "artistic endeavor" is to be realistic about my place in life at this moment in time...and sticking to my own rules to the detriment of my sanity is something I can do without! So pizza night it was, and evening drawing it is!

Quiet House

Quiet House, Ink Sketch... On the third day of my "morning sketches," it is really hard to wake up. This morning my alarm was a hungry baby, and my house was softly lit with the morning light, cool, cozy and silent, except for the soft hum of a fan. I almost retreated back into my piles of blankets and pillows and caved for a little more sleep. Willpower won out, be it groggily, and I climbed out of bed and fumbled into a chair at my grandmother's sewing desk. This morning's drawing shows the only other somewhat-awake being in the house, my cat George. His own sleep disturbed by my clumsy movements, he stared at me awhile, an expression of sleepy questions as he stay nestled among the puffs and folds of my small down blanket. As I drew my layers of warm coverings (stubbornly odd, I know, in the 100 degree Alabama summer heat) and pillow, still with a sunken spot from where I rested just minutes earlier, I really wanted to put down my pen and go back to sleep. But it never hurts to push on, to give a bit more effort. And to drink some strong coffee.

Dancing in Clover

Dancing in clover, Ink sketch... My older kids in bed, last night I found myself alone in my quiet den with my baby girl, the songs of Etta James, Ella Fitzgerald, and Louis Armstrong filling the space. With her soft cheek and baby's breath on my face, I swayed to the music, flooded with love and gratitude for what matters most in my life. I remember seven years ago, dancing close to my husband, he dressed in a tux and I in a cranberry tea dress barely fitting over my pregnant stomach...happy and in love. I remember holding my first baby girl, dancing in my Georgia home, amazed that anything so beautiful could exist, baffled that I played such a part in her existence. Several years later, dancing gently to Etta James with my tiny son, desperately in love, my heart bursting and happy tears flowing as he grinned, so small and new. And last night, there I was again, holding an amazing gift, an unexpected joy, thinking of the immensity of love that encompasses my life. And I am grateful...my heart is wrapped in clover.

Back in the Game

"Tree of Life," Ink sketch All wrapped up close together in our little house, we've added a fifth person to our family. My sweet baby is just now old enough for me to steal some time away, to turn my thoughts, for at least a few moments, inward to the world of art. When I look inside and peruse my creative thoughts, I see a very different world. With so much time passed between my last stream of art and today, my life has changed. The birth of a child, the growth of a life, the changing tides of my life to a brighter, stronger place...what images stir within me, waiting to be formed with pen, pastel, paint and paper? It's time for a renewal, to reinvent once again. I find an eager peace in the cycle of my art, that over the past few years I have come to recognize-high times and low times, ever-changing, twisting and turning to the creation of something new. I'm starting slow, with my small bits of time. Searching for what lies within, to see what will surprise me when I use my hands and let my broken, unplanned thoughts take shape. Thanks to a friend and art colleague's recent art, Sunny Carvalho's morning drawings, I'm beginning my renewed journey with "Morning Sketches." Each morning for two weeks I plan to draw whatever comes to the forefront of my mind-no concrete plans, no restrictions-just to see where it leads me. And if this endeavor does not lead me to a new starting place, it still leads me to further exploration of this new, complex and wonderful phase of my life.

Family Farmhouse

After a slow few months of art production due to the lovely symptoms of pregnancy, I'm finally back at my desk! With a baby girl kicking at my belly whenever I squash her against my art table, I have recently completed this family farmhouse, bringing together about twenty photos to include many family memories of a very kind lady.

In order to incorporate so many features, I approached the piece with a leaning towards folk art rather than perfect realism and proportion. I used the same set of colors throughout the painting to keep the images together as a whole. My sweet client and I are both happy with the finished piece, and I am looking forward to beginning my next painting!

Family Farmhouse, 18x24 soft pastel on board

Upcoming Shows!

Come out to Park Lane in English Village, Mountain Brook from 4:00-8:00 this Thursday December 1st for the annual Mountain Brook Art Association's Holiday Show! This is a fun event with delicious food and drinks catered by Kathy G. Come browse great art and buy some unique holiday gifts! I hope to see you there!

For the month of December, I will have over 20 pieces on display and for sale at Brookwood Medical Center. Look for my art in the main lobby and the doctor's lounge!

Roman Columns

Roman Columns, 18x24 Soft Pastel on Board

Here is the fourth installment in the Italian series done by commission for a private collection here in the Birmingham area. My husband and I took a photo of these dramatic columns in the Roman Forum years ago, and I have always thought they would make a beautiful pastel!

View from Fiesole

View from Fiesole, 24x36 commissioned pastel

This is the newest addition to one of my most gracious client's collection of pastels. "View from Fiesole" will hang with the "Trevi Fountain" and the "Spanish Steps." And there is one more pastel of Italy to come, so stay tuned!

The Trevi Fountain, 24x36 Soft Pastel

The Spanish Steps, 30x30 Soft Pastel

The Coast of Maine

The Coast of Maine, 16x20 Commissioned Pastel

I love the challenge of drawing the ocean, and especially the ocean spray as the waves crash upon the dark rocks. This piece is similar to my earlier pastels of the Scottish coast, with the wonderful contrast of darks and lights. I love using the many blues, greens, and whites intermixed with the unexpected hints of burgundy and ochre hidden in the water. The rocky coast in this particular piece was very interesting, with its striated texture glistening in the sun.

"Paper from the Past"

At an art show last spring I met a fellow pastel artist and, after some discussions about techniques, we did a paper swap. I gave him a piece of Sennelier La Carte pastel card, and he generously gave me a large sample of a pastel cloth. I like to call this one "paper from the past," because a) he bought it a very long time ago and can't remember the brand, b) after research, it is very hard to find information about pastel cloth, and c) it doesn't seem to be made much anymore, if at all.

I discovered two possible sources for pastel cloth, which comes in a roll and is a synthetic, unwoven fabric, with a coating similar to sanded papers, that will hold layers of pastel. NY Central Art Supply and Sennelier both make/have made a pastel cloth.

The cloth can be cut to the desired size, but needs to be mounted or secured in some way to keep it from curling. It can also be stretched like a canvas. Since I was experimenting, I just taped all four sides down with masking tape.

I cut several pieces and taped them down to a board and decided to try a few things. First I layered some pastels, browns, oranges and ochres, and painted with a brush and water. Then I added details of a lily in my yard. The result pleased me well enough: the paper held the layers well, the water did not affect the paper adversely, all brands of pastels that I tried worked fine (Sennelier, Rembrandt, Gallery, Derwent pastel pencils). 

5x7 Soft Pastel on Pastel Cloth

For the second "test" I tried a simple picture with my usual techniques. Again, the results were satisfactory, but I felt that the texture wasn't as deep as I usually get by layering on Ampersand Pastelbord or Sennelier La Carte pastel card; the colors blended just a bit more.  

While I enjoyed trying and learning about a different surface, the benefits of pastel cloth, mainly the texture, are overshadowed, in my opinion, by the downside of it being a cloth. My "verdict" is biased because of my preference for a hard board or card on which to work, and it seems like an unnecessary step to mount the pastel cloth on a hard surface when I could just buy another surface with a similar texture that is already sturdy.

With pastel cloth being hard to find, and made somewhat irrelevant by the numerous types of sanded papers that can also be used with wet or dry mediums (such as Wallis Paper), it may be more convenient and less frustrating to try another surface.

But to those who already have pastel cloth, or like the ability to stretch or mount it onto the size and surface you want, you can create some beautiful pieces of art!

Check out the art by my friend Daniel Curry, who has done several pieces on pastel cloth and so kindly shared some with me!

View his work at www.dcurrycreations.com

New Minis!

In preparation to list on Etsy, I've been making some new mini pictures! Here are a few of the 3x3 pastels which consist mostly of "the birds and the bees," with the occasional snail or other tiny creature thrown in here and there!

These pieces range in price from $35-$45 depending upon the frame. The pastels are drawn on Sennelier La Carte Pastel Paper and sprayed with a fixative for durability. All birds are native to Alabama, and any bird can be drawn on commission at the same price. These make great gifts!

SpectraFix Pastel Fixative

I have recently begun using a new pastel fixative introduced to me by one of my very talented art students Jenny Thornton. SpectraFix Is "a natural milk casein pastel fixative" that is non-toxic with no odor, and you can even spray it inside! It is pretty much alcohol and milk protein...it comes from cows! See?

The SpectraFix website describes the ingredients:

"SpectraFix blends art-grade milk casein with water and pure grain alcohol adding a tiny amount of isopropyl alcohol (to please the Federal Government rendering the grain alcohol undrinkable). The alcohol evaporates rapidly taking the water with it, leaving a thin film of casein which quickly dries to a protective matte surface. Even though it is milk protein, it is not subject to invasion by opportunistic organisms, as 9000 years of use as an art medium testifies."
http://www.spectrafix.com/about.html

The spray dries without darkening the colors (but don't douse it...I sprayed it lightly a couple of times about a foot above the picture, letting it dry in between coats.) I sprayed it heavily on a piece to test it, and was surprised at the little color change...while the alcohol evaporated the colors lightened almost to the original hues. I do employ heavy spraying on images that I want to deepen the rich colors and contrast, but do not recommend heavy spraying for pieces with a lot of delicate or light colors, or on something where no color change is desired, such as a portrait.

I was initially wary over the pump application, fearing that it would splatter or spray inconsistently, but when applied with a fine mist and allowed to dry between coats, I haven't experienced any trouble.  As with any fixative application, you may occasionally have a small spot appear that doesn't completely dry; this is easily fixed by adding the appropriate pastel to the spot.

The thing I find most fascinating about this spray is the history of it's ingredients. Casein has been used by artists throughout history, including my favorite artist, the French Impressionist painter and pastelist Edgar Degas. 

"Casein is simply dried milk protein and has been used for over 9000 years as a binder for pigments. Cave paintings in Asia and ancient Egytpian tomb paintings are the greatest testament to its archivability, with colors still firmly adhering to their supports with brilliant clarity of hue after literally thousands of years! No other painting medium has such an ancient and demonstrable history of stability and permanence. 

Casein has been widely used by artists since that time including medieval illuminated manuscripts, Gustav Klimt’s ‘Beethoven Frieze’, Edvard Munch’s ‘The Scream’, Ben Shahn, Thomas Hart Benton and many more. Since the introduction of acrylics, casein has fallen by the wayside, but it was the original foundation for the development of acrylics. It was an early type of plastic (when combined with formaldehyde) and was used for decades to make buttons, handles, trays and all manner of colorful items.

There is also great evidence that Degas used different formulations of casein as a medium and as a fixative, including liquid solutions into which he would dip his pastel stick. He was a close friend of the artist Luigi Chialiva who patented a pastel fixative using casein and alcohol back in the 1890s, and one can hardly doubt that Degas would have been instrumental in its development and popularization."
http://www.spectrafix.com/history.html

If you give SpectraFix a try, I'd love to hear your thoughts!

Mini Portraits

Portraits don't always have to be large! This trio of portraits were done in pastel on 4x4 inch peices of Sennelier La Carte Pastel paper. It's a different sort of challenge, working small with chunky pieces of pastel, but it is a challenge I enjoy!